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Techical image
Jambor, Petr ; Hládeková, Katarína (referee) ; Mikyta, Svätopluk (advisor)
This diploma thesis tries to reflect and clarify the technical images produced by the polygraphic industry with specific methods of production and try find relationship between printer as an apparatus and printer house as an institucion. The technical image is understood as an elementary imaging model, which serves as a means of visual representation and communication tool. The printer can also be the essence of creative work that has the ability to clarify or determine readings and finally has the power to change the meaning and context of information.
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Audiovisual performance in the context of digital environment
Kořínek, Tomáš ; Šisler, Vít (advisor) ; Kera, Denisa (referee)
The goal of this thesis is to describe the influence of technological development on the ways in which the moving image is created and to introduce forms that this medium attains in the area of live audio-visual performances. The theoretical study approaches this topic as a historical overview of technical image, focusing on its connections with music. It thus observes specific creative processes of the avant-garde film and music video and subsequently puts them into the context of current types of moving picture created as a result of software codes. Based on the definitions of digital media's key principles, a theoretical basis is set up and then applied to the description of contemporary forms of audio-visual performances. These principles are also used for the definition of the features of software tools, numeric representations of which make it possible to work with any type of an image as with a set of mathematical functions. The main result of this thesis is thus a presentation of creative possibilities of today's image, which has - thanks to digital devices - disengaged itself from its previous technical limitation and become a fully dynamic element that can be created and modified in real time.
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Techical image
Jambor, Petr ; Hládeková, Katarína (referee) ; Mikyta, Svätopluk (advisor)
This diploma thesis tries to reflect and clarify the technical images produced by the polygraphic industry with specific methods of production and try find relationship between printer as an apparatus and printer house as an institucion. The technical image is understood as an elementary imaging model, which serves as a means of visual representation and communication tool. The printer can also be the essence of creative work that has the ability to clarify or determine readings and finally has the power to change the meaning and context of information.
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Audiovisual performance in the context of digital environment
Kořínek, Tomáš ; Šisler, Vít (advisor) ; Kera, Denisa (referee)
The goal of this thesis is to describe the influence of technological development on the ways in which the moving image is created and to introduce forms that this medium attains in the area of live audio-visual performances. The theoretical study approaches this topic as a historical overview of technical image, focusing on its connections with music. It thus observes specific creative processes of the avant-garde film and music video and subsequently puts them into the context of current types of moving picture created as a result of software codes. Based on the definitions of digital media's key principles, a theoretical basis is set up and then applied to the description of contemporary forms of audio-visual performances. These principles are also used for the definition of the features of software tools, numeric representations of which make it possible to work with any type of an image as with a set of mathematical functions. The main result of this thesis is thus a presentation of creative possibilities of today's image, which has - thanks to digital devices - disengaged itself from its previous technical limitation and become a fully dynamic element that can be created and modified in real time.
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Vilém Flusser's Concept of Information as Aesthetic Experience
Soukupová, Lenka ; Stejskal, Jakub (advisor) ; Magidová, Markéta (referee)
On the basis of the selected Vilém Flusser's texts, the main aim of the present thesis is to comprehend the meaning of aesthetic categories in his philosophy. The key to understanding of the essence of Flusser's aesthetic is the concept of the derivation of aesthetic categories from a degree of a habit, expressed in the essay Habit as a true aesthetic criterion. The related problem of the information transmission is the central issue of the chapter Vampyroteuthis Infernalis: His Art, from which the crucial significance of the means of communication in the creative process of expressing and processing the information emerges. This significance is the base for proposition of the upcoming cultural revolution, which is the most comprehensively listed in the essay Into the universe of technical images and in which the aesthetic criteria become universal. Other literature is discussed occasionally during the observance of the pattern outlined above. Powered by TCPDF (www.tcpdf.org)
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Phenomenon of Film - Information - Society
Vodrážková, Katrin ; Štogrová Jedličková, Petra (advisor) ; Vilgus, Petr (referee) ; Michalovič, Peter (referee)
The dissertation presents an analysis of film and photographic media as two specific information systems. It is based mainly on the system theory of Niklas Luhmann, the basis upon which film is understood as a social system. The phenomenon of film is further developed as an imaging technique in the contemporary information society and electronic culture. The work shows new forms of imaging in film, but also a comparison of imaging techniques in the photographic medium. The goal of the dissertation is to contribute to a more detailed understanding of moving images and to develop the possibilities of film, which has the potential to become a future information system. Powered by TCPDF (www.tcpdf.org)
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Technical Images in Context of New Media Art
Skotáková, Linda ; Šafaříková, Radana (advisor) ; Marcelli, Miroslav (referee)
The diploma thesis "Technical images in context of new media art" is focused on the topic of technical images in the gallery environment and their position in the broader context of new media art. The text is divided in five chapters, which describe technological constitution of both moving and statical images, their impact on traditional conception of genres in art, authorship and our concept of an artwork as original. The thesis will analyze the relationship between the perceiving person and technical images and related topics of interpretation and interactivity in new media art. In the first part the definition of a technical image and its kinds will be described as well as the question of frame in connection with specific relationships between image and digital technologies. Second part of the thesis concentrates on means of expression of technical images, their genre classification and ways of perceiving image itself. Theoretical points of the thesis will be accompanied by practical examples of artworks presented at the DOX Centre for Contemporary Art in Prague in past two years. Key words: technical image, frame, digitalization, genre, original, image perception
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